The 68’s: This model is named after the year Yiull was born. The number 68 holds a special charm and significance. In 1968, numerous pivotal events unfolded globally, making it one of the most tumultuous years in history. This model commemorates that dynamic era and the year of Yiull’s birth.

The AVONDALE: Named after the area and school where Yiull grew up in Zimbabwe, this model reflects his formative years. During this time, his world revolved around his close-knit group of friends, especially Alan Foster, who remains a dear friend to this day. The Avondale represents the innocence and bonds of childhood that have shaped Yiull’s life.

The BENTOLINO: Named after Yiull’s father and affectionately dubbed by his grandfather, Felice Colombo from Torino, Italy, a charismatic figure whose artistic lineage flows through Yiull and whom this his collection of frames pays tribute to. The Bentolino celebrates the profound connection between Yiull’s father and grandfather, embodying the rich tapestry of family heritage that continues to inspire his artistic vision.

The DANIELLA: This model is a heartfelt tribute to Yiull’s cherished sister, Daniela, and their enduring sibling bond, marked by unwavering support and affectionate banter. Daniela serves as Yiull’s moral compass, embodying honesty and forthrightness, qualities that are mirrored in their bond. Yiull’s deep affection for her shines through in every detail. To playfully tease her, he deliberately added an extra “L” to her name on the frame, a light hearted gesture that reflects their shared sense of humour.

The KATO’S: Inspired by the Asian butler character from the Pink Panther film series featuring Peter Sellers as Inspector Clouseau, these frames evoke memories of Yiull’s love for the artistic, haphazard comedy. Kato’s random attacks on Clouseau, aimed at keeping him combat-ready, left a lasting impression. The Kato’s model captures the playful and unexpected nature of these beloved films.

The MANTIS: This model pays homage to a cherished childhood memory, after a special toy car that was light metallic green, and stood out for its distinctive design, capturing Yiull’s imagination unlike any other toy in his collection. Sadly, it was stolen by an adult on a beach in Mozambique, an event that left a lasting impression. This model celebrates the uniqueness and childhood wonder embodied by the Mantis, symbolizing individuality and the enduring spirit of youthful fascination.

The PAGODA: Inspired by the iconic Mercedes Pagoda from the 1960s, the Pagoda model resonates deeply with Yuill’s passion for classic cars. His journey started with an Alfa Romeo Giulia and later a Lancia Fulvia 1300 Rally, both embodying the elegance and allure of vintage automobiles. These glasses beautifully honor the Pagoda’s graceful lines and timeless charm, capturing the essence of automotive history in eyewear.

The SWEENEY: Inspired by the influential British crime TV series from the 1970s. This model captures the style and attitude that deeply resonated with a young Yiull. From the characters’ distinctive demeanour and speech to the iconic Ford Granada they drove, every element left a lasting impression. The Sweeney model celebrates the profound influence of this iconic series on Yuill’s early development.

The VERUTIN (pronounced VEROU-TING): Named after Yiull’s mother, which was an affectionate nickname bestowed by his grandfather, Felice Colombo. This model embodies the profound familial bonds and artistic heritage spanning generations, which resonates throughout Yiull’s creative journey, and serves a constant wellspring of inspiration in his life and work. The Verutin model pays homage to Yiull’s enduring family legacy.